- Looking Back (and Forward) on Jethro Tull's 'Thick As a Brick'
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Looking Back (and Forward) on Jethro Tull's 'Thick As a Brick'
Peanuts Gang Singing "Thick As A Brick" by: Jethro Tullcan how don t give up peter gabriel
When I came to do the running order and work on the cover text, as you do when you wrap a Christmas present, you choose nice paper and put a nice bow on it. That process in presenting the album gave it some cohesion. But it was whimsical individual oddities, written in hotel rooms, very often in the U. The result was Thick as a Brick , a milestone in the progressive genre, which arrived on March 10, So he was aware he was taking a risk; but instead of shying away, Anderson decided to charge forward. It was a tall order to have it accepted.
Thick as a Brick is the fifth studio album by the British rock band Jethro Tull , released in March The album contains a continuous piece of music, split over two sides of an LP record , and is a parody of the concept album genre. The original packaging, designed like a newspaper, claims the album to be a musical adaptation of an epic poem by fictional eight-year-old genius Gerald Bostock, though the lyrics were actually written by the band's frontman , Ian Anderson. The album was recorded in late , featuring music composed by Anderson and arranged with the contribution of all band members. The live show promoting the album included the playing of the full suite, with various comic interludes. Thick as a Brick is considered by critics to be the first Jethro Tull release to entirely consist of progressive rock music.
Jethro Tull in \ucThick As A Brick was the mother of all concept albums\ ud through the story of the groundbreaking album Thick As A Brick. . Almost of equal importance was the cover, which was in effect a.
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Monty Python. It might seem a little odd to mention the influential British comedy troupe as we begin a journey through the story of the groundbreaking album Thick As A Brick. Myth has it that Anderson was angry about this misconception. They seemed to believe the whole record was a major religious story. The truth was that three or four songs were linked by questioning the nature of religion. But the rest were stand-alone tracks.
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In the late '60s and early '70s, popular music sought to break new ground as often as possible. Along with the reinvention of established artists came the emergence of an entirely new genre -- progressive rock. -